© 2021 Chris Medway

CosmoMoose is my electronic and cinematic music project which I began in 2011. By combining melody and texture, the aim is to take listeners on a musical journey to places where they have never been (whether to a distant world or the other side of their own planet), or to tell a story previously untold, or express emotions not previously felt. The melodies and textures created has gained many fans who often responded to the emotional and expressive nature that my music brought. The music of CosmoMoose spans many genres from ambient to trance, and neoclassical to synthpop (sometimes within the same track!). The regular inclusion of recognisable instruments and sound effects among the other-worldly electronic sounds often gives the music an organic feel. As a result of this and the frequent use of catchy melodies and distinct themes, the music has attracted an unexpectedly wide and varied audience leading me to refer to this project as “Electronic Music for people who don't like Electronic Music” :-) I hope you enjoy this listening experience browsing the array of music from the world of CosmoMoose… .. On this page you will find information on…
Welcome to CosmoMoose.com
Released 21 November 2018 In early 2016 I was asked by game designer, Glen Chudley, to compose a soundtrack to a computer game based on a fantasy adventure book Slaves of the Abyss. This is one of those books where you are the hero of the story and you decide what to do next on your quest. I couldn't get the rights to use the book's name (which may not have been a suitable album title anyway) in the album so decided on the name ABYSSIUM. Each track on this album represents a scene from the game. the tracks were composed based on Glen's descriptions and before the game was fully developed. I liked all the themes so much that I wanted to release them .... on two albums. Glen gave me specific directions on what music he wanted in each scene in the 'quotes' below: KALLAMEHR 'Should create the impression of a prosperous city. Arabian influence' ITER FORTISSIMUM (Latin for Journey of Courage) 'Should evoke the sense of travelling on a long journey of which the destination is not known' TEMPLE OF FOURGA 'Should sound stereotypically holy, but in a pretentious way. Fourga is the god of pride' ABANDONED VILLAGE 'A mix of sadness, mystery and danger' [I wanted an opera singer to vocalise that sadness in the second part] PATH OF RIDDLES 'Incongruous, completely juxtaposed to the mood of the rest of the game perhaps even a bit carnival/funfair like?' [I wanted to make it fun but slow paced as riddles aren’t solved quickly!] MYSTERIOUS FOREST 'As the name suggests, mysterious, though in a more positive and playful way than is typical of the rest of the game' [Glen then gave directions that there was a second forest scene which should be sadder] GURU REUNION [this scene was a late addition to the game where Glen wanted something peaceful but oriental] BESIEGED! 'Like Kallemehr , but slightly subdued. Should also hint in some way of an impending threat' [although this track started off like Kallamehr it took on a life of its own with more than a hint of threat!] OPEN THE ABYSS something a bit surreal [This is the opening title theme to the game even though it's at the end of the album. I thought it too strange to open the album and a nice way to close Chapter 1]. CALL TO BATTLE ‘A basic military drum beat, overlaid with other instruments to give the impression of a final showdown (actually turns out not to be, but oh well)’ ITER PERICULOSUM (Latin for Journey of Peril) ‘should be like [ITER FORTISSIMUM] (on Chapter I) but sounding more ominous” UNDERGROUND PASSAGES [Glen wanted something based on the Kallamehr theme from Chapter I but the action is happening in the sewers rather than in the City] HIDDEN TUNNEL ‘Mysterious, in a slightly surreal way. It is the first time the player enters the Abyss’ LOST IN THE ABYSS ‘Surreal and should give the impression of an endless barren expanse’ ORGAN PHANTASY NO.1 (CASTLE OF DOOM) 'Church organ music. Should suggest the massive size of the castle. (The Castle is basically designed for use by someone 50 feet tall)’ I plan this piece to be the first ORGAN PHANTASY in a series. SOUL CHAMBER – [Glen wanted something dark, surreal and disturbing] ESCAPE FROM THE ABYSS [This is the End theme] Something epic, suggesting exploring infinite new possibilities RECOLLECTION is a composition inspired by the game recalling many of the existing themes SONG OF THE SAVED is the only song with lyrics, sung from the point of view of those being saved. It is also deliberately an allegory to how Jesus gave His all to save us all. This song and all my music is made for God’s glory. Composed, Arranged, Produced, Performed, Mixed and Mastered by Chris Medway. Artwork by Chris Medway

Soundtrack releases (download/stream)

Star Wars: Shadow of the Mandalorian Trapped

Click on titles to got to CosmoMoose releases

ABYSSIUM (Chapters I & II)

Double CD album £13

Memories of Moosetopia

CD album £10
Released 30 November 2015 Everyone should listen to this album, it makes you feel happy, and euphoric, every track is brilliant” (fan review) I created this to be a collection of images and for the ears, with strong catchy themes taking the listener back to when times were great, with a sense of longing. These are memories of Moosetopia. From the beautiful beaches to awesome cathedrals; from summer and winter celebrations to the sheer natural splendour. As soon as the CD starts then you are transported straight back to Moosetopia. Between the soaring SunRise and the ambient and reflective song My Beautiful Day is a collection of eclectic music, from euphoric dance to poignant ambient tracks, all taking you to a place and time of happy memories with a longing to return. This is electronic music at its most organic featuring several ‘real’ instruments taking the lead such as accordion, pipe organ, bamboo flute, bagpipes, jazz band, steel drums and piano bringing you the sounds of Moosetopia: that place where you would rather be. The melodic music soars and lifts the spirit but at the same time there are reflective tones harking back to days gone by. If you like the music of my heroes, Jean-Michel Jarre (Equinoxe, Chronologie) or Vangelis (Chariots of Fire, China) because of their melodies and variety of themes then I am sure you will love this album. With very few lyrics, the music sings for itself from the infectious vibrant Hola Havana to the haunting Distant Longing , or the funky jazz meets trance-synth of Get Funky to the pip-organ baroque meets techno of Organic Manoeuvre . Then there are the electro-folk stompers of JiGiToN and the Scottish styled Forever Hogmanay to the piano trance of Summer Memories. For those who liked the piano trance song Shooting Stars on my last release, there is the evocative Horse of Nature . Composed, Arranged, Produced & Performed (all instruments) by Chris Medway (CosmoMoose) Sleeve Design: Chris Medway Album Photography: Sharon Medway Mixed and Mastered by Chris Medway at 9EQ Studios, Devon

Cosmic Invasion

CD album £10
Released 28 November 2013 I created this album to be a sci-fi "soundtrack for the mind", with strong catchy themes taking the listener on an hour-long musical journey where the Cosmic comes to Earth. It includes the popular Shooting Stars , the Jarre-like Laika Legacy plus the title track, Cosmic Invasion, with its Theremin style lead and robot voices. In contrast is the minimalist classical/piano style Ripples in the Sky and the melancholic but beautiful Tears of the Moon. It closes with the 11 minute opus inspired by the life, death and resurrection of Jesus - Light of This World. This is what the reviewers say: "Absolutely Fantastic. Highly recommend this, whether you're a fan of Vangelis, Jean Michael Jarre, instrumentals, or science fiction style music. From the moment I first heard Galileo's Mission on the station I DJ for, I was hooked. Great tracks from start to finish. Well worth the price and look forward to future works from CosmoMoose." "Fantastic music and well composed, recommended" "Jean Michel Jarre Would Be Proud Of This Piece Of Work. An impressive album that edges towards the New-Age and Sci-Fi genres, also, a very strong Jean Michel Jarre influence with strings and choirs evident throughout. An excellent cross section of tracks from moody atmospheric tracks to dance tracks. Album highlights are, Cosmic Invasion, Shooting Stars, Tears Of The Moon, Lost Vessel and the stunning closing track Light Of This World which runs for just over 11 minutes! A breathtaking piece of work" "I love this album and .... listen to this every day and I will wear it out soon, then I will buy another one....because its a beautiful album....just beautiful." “The ability …..to take inspiration from different musical genres is really unbelievable and fantastic. Most surprisingly in Tears of the Moon ….while Galileo's Mission will bring to Your mind emotions which are typical of the “Rondò Veneziano” style. Great. This is a very promising “eclectic” artist, we shall keep an eye on in the near future.” Composed, Arranged, Produced & Performed by Chris Medway (CosmoMoose) Vocals on "RoboDrama" by Sharon Medway Sleeve Design: Chris Medway Album Photography: Sharon Medway Mixed and Mastered by Chris Medway at 9EQ Studios, Devon
Released 4 May 2020 Long ago in a studio far far away.. .. [well, in 2019 in my home studio...] I was asked by director and actor Kiefer Jenkins to provide a soundtrack for his short Star Wars fan film Shadow of the Mandalorian . I was hesitant to take on the commission at first due to lack of confidence in providing the right orchestral sound. However, as I embarked on the project I really enjoyed creating the music and make it help carry the story (which I also really liked). I am very pleased with the end result, on the film and as a standalone listening experience. So, even if you never see the film, I hope that the music tells its own story: one of a battle between the dark side and the light side, and one of hope and redemption. The story and music of Shadow of the Mandalorian reminds me that even in dark times there is always hope. The darkness does not go on forever; the light always wins. See the Soundtrack part of this website for more information and to see the film.

Shadow of the Mandalorian: Star Wars Fan Film OST

TRAPPED

These two emotional themes were taken from a short film and reworked for release. See the Soundtrack page of this website for more information and to see the film.
From the Original Score

Christmas singles

I’m a big lover of Christmas so it is only natural that I would create my own versions of favourite Christmas carols.
Released 8 June 2017 Ever since I was a child, I have wanted to do my own version of the Doctor Who theme. This recording therefore uses retro sounds I recall from the 1980s and so has similar instrumentation to my album "Cosmic Invasion" which in turn is inspired by Doctor Who and sci-fi in general. The second track features some rather unhappy Daleks! Both versions have been licensed for download distribution via Loudr.fm Original Composer Ron Grainer and original electronic arrangement by Delia Derbyshire These versions were Arranged, Produced and Performed by CosmoMoose Mixed and Mastered by Chris Medway (CosmoMoose) Artwork by Chris Medway, based on the ‘DW’ logo that was prevalent after the relaunch.

DOCTOR WHO THEME

Other Singles

Releases

CDs/Albums

Soundtrack Releases

The electronic and cinematic music project of Chris Medway.

Social Media

Videos

CosmoMoose LIVE - Robot Vocals
Released 14 April 2023 I created this album to be a "soundtrack for the mind" charting the highs and lows of space exploration with strong catchy themes taking the listener on an hour-long musical journey where space travel is an adventure. This is designed to be a diverse yet consistent album of powerful synth music that is dynamic, melodic, and meticulously detailed with a touch of emotion as the listener is taken through the highs and lows of a space journey. From the bold opening of Spaceport Genesis to the grand climax of Sky High , this project has been inspired by the endeavours of Spaceport Cornwall (local to me) mixed with sci-fi inspired themes, all looking at man's quest to explore creation. credits Composed, Arranged, Produced and Performed by Chris Medway (CosmoMoose) Mixed and Mastered by Chris Medway at 9EQ Studios Sleeve design: Chris Medway Portrait Photo: Sharon Medway

Cosmic Adventures

CD album £10

Various Artists Compilation Albums

CosmoMoose Virtual Concert

This a performance of new ambient, space and electronic compositions/ improvisations using various hardware and software synths (including a vocoder), and an all-essential foot pedal, recorded for Nick’s Virtual International Garage concert series, broadcast on 15 September 2023, and later repeated on Morphic Resonance virtual concert series on 14 October 2023. This performance has been mixed and mastered, and released on a new live album (with no overdubs) called Livescapes .
Released 20 October 2023 This is a LIVE album from my first VIRTUAL CONCERT recorded for Nick's International Virtual Garage concert series, broadcast on 15 September 2023, and repeated on Morphic Resonance MR37 on 14 October 2023. Both were shown on Twitch. TV. The performance utilised various hardware and software synths, including a Vocoder, plus a Launchpad to trigger sound effects, sequencers and drone sounds, to take you on a sonic journey through time and space. This musical journey of the imagination takes you to stars and nebulas and then down to earth through forests and city streets under clear skies and thunderstorms. Is the journey a dream, or is it reality? You decide! (although title of the final track could be interpreted as the answer!). The live performance has been tenderly mixed to bring out the textures and details of the live soundscapes and mastered to give it extra width and depth to create a truly immersive live sound experience, which I call "LIVESCAPES". This album is numbered "1" because I intend to create more Livescapes in the future. Composed, Arranged, Produced and Performed (Live) by Chris Medway (CosmoMoose) Mixed and Mastered by Chris Medway at 9EQ Studios Sleeve design: Chris Medway (using AI generated graphics on Gencraft) No musical backing tracks were used in the performance. All notes, sequences, drones and sound effects were played / triggered live. No overdubs were added in post-production to keep the live feel of the music.. Thanks to Nick Mellis and Peter Baldwin for inviting me to perform on their series of virtual concerts and Gary Wright for support and advice on virtual live performance.
CosmoMoose is my electronic and cinematic music project which I began in 2011. By combining melody and texture, the aim is to take listeners on a musical journey to places where they have never been (whether to a distant world or the other side of their own planet), or to tell a story previously untold, or express emotions not previously felt. The melodies and textures created has gained many fans who often responded to the emotional and expressive nature that my music brought. The music of CosmoMoose spans many genres from ambient to trance, and neoclassical to synthpop (sometimes within the same track!). The regular inclusion of recognisable instruments and sound effects among the other-worldly electronic sounds often gives the music an organic feel. As a result of this and the frequent use of catchy melodies and distinct themes, the music has attracted an unexpectedly wide and varied audience leading me to refer to this project as “Electronic Music for people who don't like Electronic Music” :-) I hope you enjoy this listening experience browsing the array of music from the world of CosmoMoose… .. On this page you will find information on…
Welcome to CosmoMoose.com
Released 21 November 2018 In early 2016 I was asked by game designer, Glen Chudley, to com - pose a soundtrack to a computer game based on a fantasy adventure book Slaves of the Abyss. This is one of those books where you are the hero of the story and you decide what to do next on your quest. I couldn't get the rights to use the book's name (which may not have been a suitable album title anyway) in the album so decided on the name ABYSSIUM. Each track on this album represents a scene from the game. the tracks were composed based on Glen's descriptions and before the game was fully developed. I liked all the themes so much that I wanted to release them .... on two albums. Glen gave me specific directions on what music he wanted in each scene in the 'quotes' below: KALLAMEHR 'Should create the impression of a prosperous city. Arabian influence' ITER FORTISSIMUM (Latin for Journey of Courage) 'Should evoke the sense of travelling on a long journey of which the destination is not known' TEMPLE OF FOURGA 'Should sound stereotypically holy, but in a pretentious way. Fourga is the god of pride' ABANDONED VILLAGE 'A mix of sadness, mystery and danger' [I wanted an opera singer to vocalise that sadness in the second part] PATH OF RIDDLES 'Incongruous, completely juxtaposed to the mood of the rest of the game perhaps even a bit carnival/funfair like?' [I wanted to make it fun but slow paced as riddles aren’t solved quickly!] MYSTERIOUS FOREST 'As the name suggests, mysterious, though in a more positive and playful way than is typical of the rest of the game' [Glen then gave directions that there was a second forest scene which should be sadder] GURU REUNION [this scene was a late addition to the game where Glen wanted something peaceful but oriental] BESIEGED! 'Like Kallemehr , but slightly subdued. Should also hint in some way of an impending threat' [although this track started off like Kallamehr it took on a life of its own with more than a hint of threat!] OPEN THE ABYSS something a bit surreal [This is the opening title theme to the game even though it's at the end of the album. I thought it too strange to open the album and a nice way to close Chapter 1]. CALL TO BATTLE ‘A basic military drum beat, overlaid with other instruments to give the impression of a final showdown (actually turns out not to be, but oh well)’ ITER PERICULOSUM (Latin for Journey of Peril) ‘should be like [ITER FORTISSIMUM] (on Chapter I) but sounding more ominous” UNDERGROUND PASSAGES [Glen wanted something based on the Kallamehr theme from Chapter I but the action is happening in the sewers rather than in the City] HIDDEN TUNNEL ‘Mysterious, in a slightly surreal way. It is the first time the player enters the Abyss’ LOST IN THE ABYSS ‘Surreal and should give the impression of an endless barren expanse’ ORGAN PHANTASY NO.1 (CASTLE OF DOOM) 'Church organ music. Should suggest the massive size of the castle. (The Castle is basically designed for use by someone 50 feet tall)’ I plan this piece to be the first ORGAN PHANTASY in a series. SOUL CHAMBER [Glen wanted something dark, surreal and dis - turbing] ESCAPE FROM THE ABYSS [This is the End theme] Something epic, suggesting exploring infinite new possibilities RECOLLECTION is a composition inspired by the game recalling many of the existing themes SONG OF THE SAVED is the only song with lyrics, sung from the point of view of those being saved. It is also deliberately an allegory to how Jesus gave His all to save us all. This song and all my music is made for God’s glory. Composed, Arranged, Produced, Performed, Mixed and Mastered by Chris Medway. Artwork by Chris Medway

Soundtrack releases (download/stream)

Star Wars: Shadow of the Mandalorian Trapped

Click on titles to got to CosmoMoose releases

ABYSSIUM (Chapters I & II)

Double CD album £13

Memories of Moosetopia

CD album £10
Released 30 November 2015 Everyone should listen to this album, it makes you feel happy, and euphoric, every track is brilliant” (fan review) I created this to be a collection of images and for the ears, with strong catchy themes taking the listener back to when times were great, with a sense of longing. These are memories of Moosetopia. From the beautiful beaches to awesome cathedrals; from summer and winter celebrations to the sheer natural splendour. As soon as the CD starts then you are transported straight back to Moosetopia. Between the soaring SunRise and the ambient and reflective song My Beautiful Day is a collection of eclectic music, from euphoric dance to poignant ambient tracks, all taking you to a place and time of happy memories with a longing to return. This is electronic music at its most organic featuring several ‘real’ instruments taking the lead such as accordion, pipe organ, bamboo flute, bagpipes, jazz band, steel drums and piano bringing you the sounds of Moosetopia: that place where you would rather be. The melodic music soars and lifts the spirit but at the same time there are reflective tones harking back to days gone by. If you like the music of my heroes, Jean-Michel Jarre (Equinoxe, Chronologie) or Vangelis (Chariots of Fire, China) because of their melodies and variety of themes then I am sure you will love this album. With very few lyrics, the music sings for itself from the infectious vibrant Hola Havana to the haunting Distant Longing , or the funky jazz meets trance-synth of Get Funky to the pip-organ baroque meets techno of Organic Manoeuvre . Then there are the electro-folk stompers of JiGiToN and the Scottish styled Forever Hogmanay to the piano trance of Summer Memories. For those who liked the piano trance song Shooting Stars on my last release, there is the evocative Horse of Nature . Composed, Arranged, Produced & Performed (all instruments) by Chris Medway (CosmoMoose) Sleeve Design: Chris Medway Album Photography: Sharon Medway Mixed and Mastered by Chris Medway at 9EQ Studios, Devon

Cosmic Invasion

CD album £10
Released 28 November 2013 I created this album to be a sci-fi "soundtrack for the mind", with strong catchy themes taking the listener on an hour-long musical journey where the Cosmic comes to Earth. It includes the popular Shooting Stars , the Jarre-like Laika Legacy plus the title track, Cosmic Invasion, with its Theremin style lead and robot voices. In contrast is the minimalist classical/piano style Ripples in the Sky and the melancholic but beautiful Tears of the Moon. It closes with the 11 minute opus inspired by the life, death and resurrection of Jesus - Light of This World. This is what the reviewers say: "Absolutely Fantastic. Highly recommend this, whether you're a fan of Vangelis, Jean Michael Jarre, instrumentals, or science fiction style music. From the moment I first heard Galileo's Mission on the station I DJ for, I was hooked. Great tracks from start to finish. Well worth the price and look forward to future works from CosmoMoose." "Fantastic music and well composed, recommended" "Jean Michel Jarre Would Be Proud Of This Piece Of Work. An impressive album that edges towards the New-Age and Sci-Fi genres, also, a very strong Jean Michel Jarre influence with strings and choirs evident throughout. An excellent cross section of tracks from moody atmospheric tracks to dance tracks. Album highlights are, Cosmic Invasion, Shooting Stars, Tears Of The Moon, Lost Vessel and the stunning closing track Light Of This World which runs for just over 11 minutes! A breathtaking piece of work" "I love this album and .... listen to this every day and I will wear it out soon, then I will buy another one....because its a beautiful album....just beautiful." “The ability …..to take inspiration from different musical genres is really unbelievable and fantastic. Most surprisingly in Tears of the Moon ….while Galileo's Mission will bring to Your mind emotions which are typical of the “Rondò Veneziano” style. Great. This is a very promising “eclectic” artist, we shall keep an eye on in the near future.” Composed, Arranged, Produced & Performed by Chris Medway (CosmoMoose) Vocals on "RoboDrama" by Sharon Medway Sleeve Design: Chris Medway Album Photography: Sharon Medway Mixed and Mastered by Chris Medway at 9EQ Studios, Devon
Released 4 May 2020 Long ago in a studio far far away.. .. [well, in 2019 in my home studio...] I was asked by director and actor Kiefer Jenkins to provide a soundtrack for his short Star Wars fan film Shadow of the Mandalorian . I was hesitant to take on the commission at first due to lack of confidence in providing the right orchestral sound. However, as I embarked on the project I really enjoyed creating the music and make it help carry the story (which I also really liked). I am very pleased with the end result, on the film and as a standalone listening experience. So, even if you never see the film, I hope that the music tells its own story: one of a battle between the dark side and the light side, and one of hope and redemption. The story and music of Shadow of the Mandalorian reminds me that even in dark times there is always hope. The darkness does not go on forever; the light always wins. See the Soundtrack part of this website for more information and to see the film.

Shadow of the Mandalorian: Star Wars Fan Film OST

TRAPPED

These two emotional themes were taken from a short film and reworked for release. See the Soundtrack page of this website for more information and to see the film.
From the Original Score

Christmas singles

I’m a big lover of Christmas so it is only natural that I would create my own versions of favourite Christmas carols.
Released 8 June 2017 Ever since I was a child, I have wanted to do my own version of the Doctor Who theme. This recording therefore uses retro sounds I recall from the 1980s and so has similar instrumentation to my album "Cosmic Invasion" which in turn is inspired by Doctor Who and sci-fi in general. The second track features some rather unhappy Daleks! Both versions have been licensed for download distribution via Loudr.fm Original Composer Ron Grainer and original electronic arrangement by Delia Derbyshire These versions were Arranged, Produced and Performed by CosmoMoose Mixed and Mastered by Chris Medway (CosmoMoose) Artwork by Chris Medway, based on the ‘DW’ logo that was prevalent after the relaunch.

DOCTOR WHO THEME

Other Singles

Releases

Soundtrack Releases

Videos

Social Media

Check back for more CosmoMoose

releases and videos

Released 14 April 2023 I created this album to be a "soundtrack for the mind" charting the highs and lows of space exploration with strong catchy themes taking the listener on an hour-long musical journey where space travel is an adventure. This is designed to be a diverse yet consistent album of powerful synth music that is dynamic, melodic, and meticulously detailed with a touch of emotion as the listener is taken through the highs and lows of a space journey. From the bold opening of Spaceport Genesis to the grand climax of Sky High , this project has been inspired by the endeavours of Spaceport Cornwall (local to me) mixed with sci-fi inspired themes, all looking at man's quest to explore creation. credits Composed, Arranged, Produced and Performed by Chris Medway (CosmoMoose) Mixed and Mastered by Chris Medway at 9EQ Studios Sleeve design: Chris Medway Portrait Photo: Sharon Medway

Cosmic Adventures

CD album £10

CosmoMoose Virtual Concert

This a performance of new ambient, space and electronic compositions/ improvisations using various hardware and software synths (including a vocoder), and an all-essential foot pedal, recorded for Nick’s Virtual International Garage concert series, broadcast on 15 September 2023, and later repeated on Morphic Resonance virtual concert series on 14 October 2023. This performance has been mixed and mastered, and released on a new live album (with no overdubs) called Livescapes .
Released 20 October 2023 This is a LIVE album from my first VIRTUAL CONCERT recorded for Nick's International Virtual Garage concert series, broadcast on 15 September 2023, and repeated on Morphic Resonance MR37 on 14 October 2023. Both were shown on Twitch. TV. The performance utilised various hardware and software synths, including a Vocoder, plus a Launchpad to trigger sound effects, sequencers and drone sounds, to take you on a sonic journey through time and space. This musical journey of the imagination takes you to stars and nebulas and then down to earth through forests and city streets under clear skies and thunderstorms. Is the journey a dream, or is it reality? You decide! (although title of the final track could be interpreted as the answer!). The live performance has been tenderly mixed to bring out the textures and details of the live soundscapes and mastered to give it extra width and depth to create a truly immersive live sound experience, which I call "LIVESCAPES". This album is numbered "1" because I intend to create more Livescapes in the future. Composed, Arranged, Produced and Performed (Live) by Chris Medway (CosmoMoose) Mixed and Mastered by Chris Medway at 9EQ Studios Sleeve design: Chris Medway (using AI generated graphics on Gencraft) No musical backing tracks were used in the performance. All notes, sequences, drones and sound effects were played / triggered live. No overdubs were added in post-production to keep the live feel of the music.. Thanks to Nick Mellis and Peter Baldwin for inviting me to perform on their series of virtual concerts and Gary Wright for support and advice on virtual live performance.

CDs/Albums